Author: Chloe Warren
Chloe Warren
Chloe writes about culture, art, and the moments that shape how we see the world. She believes good criticism is just honest conversation.
Ari Emanuel spoke with David Remnick about his ties to Trump, Elon Musk, and MBS, defending what he calls operating in “shades of gray.”
Ric Burns adds two new episodes to his documentary series on New York City, covering Superstorm Sandy, COVID-19, and the Eric Adams corruption saga.
The New Yorker’s Fuck, Marry, Kill update swaps celebrities for tax returns, life insurance, and a lost HR folder. It’s funnier than it should be.
The New Yorker’s “Shouts & Murmurs” runs a care guide for a human girlfriend named Blythe, who believes hydration is a Gatorade conspiracy.
Minnie Evans’s dense, visionary paintings are at the Whitney. Standing in front of them long enough, the eye stops decoding — and something else begins.
Elegance Bratton’s “By Any Means” stars Mark Wahlberg and Yahya Abdul-Mateen II in a 1960s civil rights story told through a gangland lens.
Alex Ullom’s *It Ends* joins a growing wave of Gen Z horror directors translating generational anxiety into cinema — and reshaping the genre in the process.
Anthropic is making it easier to detect Claude-generated text, giving the social stigma around AI writing a more formal mechanism to work with.
Rachel Bell, content director for NYC dispensary Gotham, visits the Guggenheim stoned for her video series Hi, I’m High — and leaves with sculpture opinions.
Bachmann’s flash fiction “The Hobbler,” published in The New Yorker, builds an entire emotional architecture from one conditional sentence about hope and morning.