Author: Chloe Warren
Chloe Warren
Chloe writes about culture, art, and the moments that shape how we see the world. She believes good criticism is just honest conversation.
Eric Wareheim turned post-divorce plant collecting into a real business, with Martha Stewart and Kelly Wearstler among his clients.
Elizabeth Meriwether’s Hulu series “Furious” follows a female killer targeting an abuse network — brutal, funny, and harder to dismiss than its premise suggests.
Gregg Araki’s new film stars Charli XCX and Johnny Knoxville. He tells The New Yorker that heartbreak and confusion are worth having.
Arizona Republicans are selecting a nominee to face Democratic incumbent Gov. Katie Hobbs, while a congressional primary fractures over sexual impropriety allegations.
Florentina Holzinger’s extreme body-based performances have made audiences faint and vomit. At the Venice Biennale, the same uncompromising work made her a star.
In 1990, Wilson Phillips released “Hold On” — a song of radical sincerity from the daughters of rock legends that disarmed teenage cynics everywhere.
Vasily Grossman covered WWII for Soviet propaganda and produced journalism that ended up as Nuremberg evidence. His full work was suppressed until after his death.
Natural law once fueled progressive constitutional arguments. Conservatives now hold that tradition almost entirely — and the left hasn’t found a counter-framework.
A New Yorker’s summer protest against trendy dessert lines involves making sheep sounds at tourists and transplants. The New Yorker covered it.
Will Mackin’s “Pig Lab” in The New Yorker opens with soldier Ted Waters losing his leg to a bomb disguised as a guardrail outside Marjah. A close read.